Everything Is Good Here / Please Come Home


Another incredible, dignified release from M. Gira

With the third Angels Of Light album "Everything Is Good Here / Please Come Home," Michael Gira has succeeded in severing the major ties to his former Swans, a band which admittedly underwent several distinct stylistic shifts in its 15 year lifespan. A few strands obviously remain, as Gira's voice is still central to his music, a proud and defiant baritone responding to the catastrophes of Gira's world, self-created or otherwise. Beyond his voice, fleeting reflections of the hypno-rock grooves of Swans' mid period albums "White Light From The Mouth Of Infinity" and "Love Of Life" manifest themselves in the self-described 'lonesome angry cowboy productions' of The Angels Of Light. As powerful and magnificent as the Swans were in the '80s and '90s, the suffocating abjection of those albums rendered them a climactic exaggeration of spectacle and theatricality. Don't get me wrong, "Filth" and "Children Of God" are still two of my most treasured (if that's the right word) albums. It's just that in Angels Of Light, Gira has eased up on some of the control tactics and allowed for his emotional core to speak unrestrained by the artistry of his productions. While continuing to express his aggression and rage, he has recognized the need to expose his weaknesses and his ignorance. For in those human traits, there is the possibility of profound beauty and tender wisdom. And I think it's fair to say that he's found an honest way of articulating those emotions on this album. At the same time, Gira allows for himself to take a backseat on occasion to the Angels Of Light, the band that he happens to be in. Throughout "Everything Is Good Here..." elliptical patterns of post-country / western motifs cycle and flutter with the motorik hypnosis of German krautrock. Another incredible, dignified release from M. Gira.