Angels of Light | Review
Under The Radar Magazine | Matt Fink
itâ€™s the rare split release that plays like a coherent full lengthIssue #11 Fall 05 Akron/Family and Angels of Light Coming off like Animal Collective channeling The Band in a remake of Abbey Road, Akron/Family create a beautifully obtuse, yet wholly approachable clatter on this split release with mentor Michael Gira. Opening with a lonely electric guitar line and harmonies in â€œAwakeâ€, the album soon shifts into the jarring blast of guitar feedback and clattering anti-music drum rolls of â€œMomentâ€, dissolving into a lush chorus of layered wordless vocals. Part campfire sing-along, multi-part rock opera and frenzied freakout, these songs wind through wildly different, clearly delineated parts, with each multi-part arrangement striking a dazzling balance between pristine sunrise textures and stomping psychedelic workouts. Backing up Gira, the band rolls back their sprawl a bit, supporting his heavy croon with a dark tangle of guitar lines and swirling feedback in â€œThe Providerâ€, and surrounding him with a chorus of shrieks in the tribally stomping â€œMother/Fatherâ€. Add it up, and itâ€™s the rare split release that plays like a coherent full length, one of the yearâ€™s most unlikely breakthroughs.